Index to to 2016 Prize
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    • 2017 Finalists >
      • 1. Mark Aheimer
      • 2. Eleanor Austin
      • 3. Andrew Baird
      • 4. Jane Bamford
      • 5. Christl Berg
      • 6. Lorraine Biggs
      • 7. Sally Blake
      • 8. Rachel Bremner
      • 9. Fleur Brett
      • 10. Angela Casey
      • 11. Astrid Dahl
      • 12. Selena de Carvalho
      • 13. Terry Dougherty
      • 14. Angus Douglas
      • 15. Jane Flowers
      • 16. Liz Francis
      • 17. David Hamilton
      • 18. Pamela Horsely
      • 19. Rachell Howell
      • 20. Susan Jacobsen
      • 21. Richard Klekocuik
      • 22. Keith Lane
      • 23. Kim Lehman
      • 24. Penny Mason
      • 25. Diane Masters
      • 26. Michael Muruste
      • 27. Leanne O'Brien
      • 28. Anne O'Connor
      • 29. Hilton Owen
      • 30. Joanna Pinkiewicz
      • 31. Jamie Preisz
      • 32. Con Rhee
      • 33. Melissa Smith
      • 34. Paul Snell
      • 2018 Prize
      • 35. Amanda Walker
      • 36. Helene Weeding
      • 37. Kellie Wells
      • 38. Chris T Wilson
      • 39. Steve Woodbury
      • 40. Katy Woodroffe
      • 41. Chee Yong
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  • 2012-2016
Picture

17.  David Hamilton -  highly commended

New Forest
Silicon Bronze
18 50 15 
$4,600 

                                                WEB LINK       www.davidhamiltonsculpture.com
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Artist Statement about the work
This sculpture proposes a cautionary speculation about a future Tasmanian environment in which the shades of green of the original forest landscape are replaced by a new forest of red brick and concrete.
The boat form is used both as a metaphor for Tasmania and as the vehicle that has brought disproportionate environmental change. Since settlement, unrelenting urbanisation devours and removes the original tree cover, replacing it with a new forest of brick and concrete where isolated specimens of the original trees are reshaped and consigned as memorials to a past lost. 

About the Artist
David Hamilton was born and educated in Hobart, Tasmania. For 30 years until 2002 he was Head of Sculpture at the University of Tasmania in Launceston. He presently works as a full time practicing artist and during 2011 completed a PhD titled Fragments: Beyond the Object.  David’s practice includes sculpture, installation, drawing and digital media. His particular area of specialisation is metal casting as well as working in steel and wood, sometimes in combination. Throughout his career David has frequently used his art as a tool for political commentary often related to the loss of Tasmania's native old growth forests. This theme was brought out in an installation constructed from wood chips at Spring Bay Mill as part of 2015 Ten Days Festival. A 2016 residency at the Cité Internationale des Artes in Paris renewed his interest in the object as vector for the narrative. 


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